Watch · Worlds观看 · 世界
Netflix · cinema · A24 — closed worlds, watched from outside.Netflix · 电影院 · A24——封闭的世界,只能隔窗观看。
A platform for worlds, not feeds.一个属于世界的平台,而不是信息流。
Enter a world →走进一个世界 →
Six real screens from the reference build. The door asks for the word. The descent is a single continuous painting — press and hold a threshold to enter. The route lists fifteen worlds by their keepers' names. And every world holds one film: you watch it, you get the things it left behind, and then you meet the person who made all of it.参考版本的六张实机画面。门会先问你那个词。下行是一幅连续长卷——按住门槛即可进入。路线列着十五个世界与它们主人的名字。每个世界有一部电影:你看完它,得到它留下的东西,最后见到造出这一切的人。






Every screen below is the newest live build — click any of them to look closer. Five tabs run along the bottom: Home, Worlds, Enter, Library, Profile — and no menus anywhere else: every transition is a fall, not a click. Here is what each page is for.以下每一屏都来自最新实机版本——点击任何一张可放大细看。App 底部有五个页签:首页、世界、进入、收藏、我的——除此之外没有任何菜单:每次转场都是坠落,不是点击。每一页是干什么的,都在这里。

Reverie is invite-only. The first screen asks for the word — taste is the ticket, and the door stays shut without it.Reverie 是邀请制。第一屏就要那个词——审美是门票,没有它门不会开。

Begin the journey, see the route, or simply fall. The long way in takes four minutes and passes all fifteen worlds — you will not want a menu afterwards.开始旅程、查看路线、或者就这样坠落。远路进门需要四分钟、经过全部十五个世界——之后你不会再想要菜单。

A single continuous painting threads all fifteen worlds; each threshold whispers its name as you pass. Creators are the map — you navigate by people, not folders.一幅连续长卷串起十五个世界;经过每道门槛时它会轻声报出名字。创作者就是地图——你按「人」导航,不是按目录。

One world held up to the light, who is working tonight — and “where you left off”: the app resumes your story, like a book with your bookmark still in it.被灯光举起的一个世界、今晚谁在开工——还有「上次走到哪」:App 会接着讲你的故事,像一本还夹着你书签的书。

Memory · identity · love · home — the directory filters by feeling, not genre. Pick one and the same five steps follow: the world, its film, its relics, its maker.记忆 · 身份 · 爱 · 家——目录按感受筛选,不按题材。任选其一,五步如约而至:世界、影片、遗物、创作者。

Thesis, field notes, trending dreams, work at 41% shown honestly, saved moments — and “GO ON” drops you into the next world when you reach the bottom.命题、现场笔记、热门梦境、诚实展示的 41% 进度、被留下的瞬间——滑到底部,「GO ON」让你坠入下一个世界。

The flagship story: watch it, then collect its relics — the frame everyone stopped on, the cut that nearly happened.旗舰故事:看完之后收集它的遗物——所有人停留的那一帧、差点发生的那个剪辑。

“Nothing here syncs anywhere. It is yours for as long as this window is open — which is, for now, exactly as honest as we can be.” Saved worlds, people you follow, by name.「这里不与任何地方同步。它只属于这扇窗开着的时候——这是我们目前能做到的诚实。」收藏的世界与关注的人,有名有姓。

772.6K followers, her films shelved floor by floor — each level a different life — and “Ask Sora something”: the name on the door, made visible.772.6K 关注、影片像楼层一样一层层排开——每层是一种人生——还有「向 Sora 提问」:门上的名字,被看见。

2.6K watching her build; comments, remixes, saves, world patrons — a community pulse on every world, and unfinished work at 62% shown honestly.2.6K 人围观她创作;评论、二创、收藏、世界赞助人——每个世界都有社区脉搏,62% 的未完成也诚实可见。

“Or come in without the interface. The same rooms, no numbers, nobody watching.” The showroom is the product — a place, not a profile.「或者,不带界面进来。同样的房间,没有数字,没人围观。」展馆即产品——是场所,不是资料页。

“When you have something — a place, a person, one scene that will not leave you alone — this is where it lives, and somebody else walks into it the way you walked into these.”「当你有了什么——一个地方、一个人、一幕不肯放过你的场景——它就住在这里,然后别人会像你走进这些世界一样,走进你的。」



Every shift in creation eventually builds its own distribution layer. This one hasn't been built.创作方式的每次跃迁,最终都会长出自己的分发层。这一层,还没有被建出来。


Thesis: future civilization measured through private life at impossible vertical scale. Her motif: handwritten maintenance tags. Her camera: observational 50mm from service corridors.命题:以不可能的垂直尺度上的私人生活,丈量未来文明。她的记号:手写检修吊牌。她的镜头:检修廊道里的旁观 50mm。
Thesis: immortality as an aristocratic social system conducted through appetite, etiquette, and weather. Every page keeps the world's own layout DNA — no universal card grid.命题:永生是一套贵族社交系统,靠欲望、礼仪与天气运转。每一页保留世界自己的排版基因——没有通用宫格。
Thesis: a remembered neighborhood behaves beautifully until distance collapses. The light is always golden hour; dread lives off-frame.命题:被记住的街区举止优美,直到距离失效。光永远是黄金时刻;不安只住在画框之外。
Short-drama factories keep their storytellers anonymous — assembly lines of interchangeable scripts. The next Nolan, Wong Kar-wai, Villeneuve — they will be AI-native. Reverie puts their name on the door.短剧工厂让创作者匿名——流水线上,剧本可以互换。下一个诺兰、王家卫、维伦纽瓦,将是 AI 原生的。Reverie 把他们的名字,刻在门上。
60% of every paid dollar goes to the creator, from the first paying fan. 40% runs the platform their world lives on.每一元付费收入的 60% 归创作者——从第一个付费粉丝开始。40% 用于运营承载世界的平台。
Commissioned works paid up front, IP co-owned, showrooms art-directed. Scarcity first, scale second.委托作品预付报酬、IP 共同持有、展馆由艺术指导操刀。先稀缺,后规模。
Netflix · cinema · A24 — closed worlds, watched from outside.Netflix · 电影院 · A24——封闭的世界,只能隔窗观看。
TikTok · YouTube · ReelShort — $7.8B of paid fragments from anonymous factories.TikTok · YouTube · ReelShort——匿名工厂的 $7.8B 付费碎片。
Zelda · Genshin · Love and Deepspace — studio-built, game-grade commitment; proof in billions that people pay to live inside a world, but forever one world, one grind.塞尔达 · 原神 · 恋与深空——工作室建造、游戏级投入;数十亿证明人们愿为「住进世界」付费,但永远是一个世界、一场重度投入。
R E V E R I E
Cinematic worlds, one tap, the creator's name on every door.电影级世界,一键走入,每扇门上有创作者的名字。
micro-drama in-app revenue, '25→'26E短剧应用内收入,'25→'26EDeloitte TMT Predictions 2026
micro-drama users, China alone短剧用户,仅中国half of China's internet population占中国网民一半
creator economy by 2027创作者经济,2027Goldman Sachs research
ReelShort revenue 2026E — first profit仅 ReelShort 2026 营收——首次盈利on formula content; the premium tier is still unbuilt靠套路内容;高级层仍无人建造
We are selling a future that hasn't existed — somewhere else, it has already begun.我们卖的是一个尚未存在的未来——在别处,它已经开始了。
Every era invents its container. The feed optimized attention; the next container optimizes belonging — places you enter and return to, not clips you pass. We are building that container, on purpose, first.每个时代都会发明自己的容器。信息流优化注意力;下一个容器优化归属——是走进去、还会回来的地方,不是划过去的片段。我们在有意识地、抢先建造这个容器。
Great stories still need great creators — but the cost collapsed: $100K → ~$700 per finished minute, five studio roles → one person with taste. The bottleneck moved from capital to curation — exactly where Reverie sits.好故事依然需要好创作者——但制作成本塌方了:每分钟成片 $100K → 约 $700,五个工种 → 一个有审美的人。瓶颈从资本转移到策展,而 Reverie 恰好站在策展这一端。
≈500 AI short dramas ship every day; 128K micro-dramas in one quarter, over 95% made with AI — the world's first mass application of AI video. The US hasn't caught up. That gap is our window.每天约 500 部 AI 短剧上线;一个季度 12.8 万部微短剧,95% 以上由 AI 制作——全球第一个 AI 视频的大规模应用。美国还没跟上,这个时间差就是我们的窗口。
$200M+ per film, plus marketing — and roughly half never turn a profit.单部 $2 亿+,还要加宣发——而且近半数从未盈利。
Moonlight: $1.5M → $65M (43×). Everything Everywhere: ≈$15M → $143M. A $3.5B studio built on curation, not scale.《月光男孩》$150 万 → $6,500 万(43×);《瞬息全宇宙》≈$1,500 万 → $1.43 亿。一家 $35 亿估值的公司,靠策展而非规模。
$12K–$300K a series; hits return tens of millions. ReelShort alone: $1B revenue and first profit, 2026.单部 $1.2 万–$30 万;爆款回收数千万美元。仅 ReelShort:2026 年营收 $10 亿、首次盈利。

TikTok Brand Ads product strategy · Wharton + Cinema · Columbia MBA + MFA · Cannes ×2TikTok 品牌广告产品策略 · 沃顿+电影 · 哥大 MBA+MFA · 戛纳 ×2

15 years building · TikTok ads monetization · two-time founder engineer十五年工程 · TikTok 广告变现 · 两次创业的工程师

CPH:DOX top prize · Jeonju Best Picture · BFI London · HBO & TencentCPH:DOX 最高奖 · 全州最佳影片 · BFI 伦敦 · HBO 与腾讯

Credit Suisse tech & media IB · bilibili IR & Strategy · Stanford GSB瑞信科技传媒投行 · B站 IR 与战略 · 斯坦福 GSB
Pre-seed · 18-month execution · first invite-only creator cohort · paid unlock validated · the seed signal at a $30M+ cap.Pre-seed · 18 个月执行 · 首批邀请制创作者 · 付费解锁验证 · 通往 $30M+ 估值种子轮的信号。
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